Kelly Strayhorn Theater

In “Virago-Man Dem,” artist Cynthia Oliver turns her gaze toward a nuanced exploration of the masculine, probing the performance of its constituent elements’ reciprocal relationship to culture and locale. Reflecting on the core query that drives “Virago-Man Dem” Oliver asks, “How can/does a woman choreograph masculinity, without resorting to stereotypes but instead locate its nuances, challenges and ambiguities?”