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Dahlia Nayar, Margaret Sunghe Paek, and composer Loren Kiyoshi Dempster collaborate in a sound and movement excavation of the artists’ own cultural hybridity, investigating the transfer and loss of meaning between generations pre and post immigration. This highly adaptable work will be installed and performed at Keene State College's Thorne-Sagendorph Gallery from February 2-11, 2017, and audiences will be invited into a makeshift “home” of initially recognizable domestic objects and daily tasks that become reinvented through layers of virtuosic movement, multilingual electronic soundscapes, and live cello.
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