Project Listen: Pop-Up Movement Performances by the Deaf Community

Woman in glasses with her hair pulled back, smiles in her teal button down
Principal
Motor Media, Marketing & Management

The month of May is rife with public events within NEFA’s Creative City Program. The first is Project Listen, a series of outdoor public pop-up movement performances by the Deaf community, choreographed by Wendy Jehlen of ANIKAYA Dance Theater. The performances, free and open to the public, will take place hourly on Saturday, May 5, 2018, throughout Boston:

Project Listen's performers; photo by Marcel Gbeffa.

Park Street Station          12 Noon
Chinatown Gate               1pm
City Hall Plaza                   2pm
Museum Wharf                3pm
Copley Square                  4pm

This weekend’s Project Listen pop-up performances mark the culmination of movement workshops taught by Deaf movement artist John Ying, ANIKAYA director Wendy Jehlen, and guest artist Dakei from Tokyo, Japan, and feature six Deaf performers. “I have been part of the Deaf community since I was a teenager,” shares Jehlen, “and Deaf theater and poetry have always been part of my practice as a choreographer and performer.”

“The performance is non-verbal,” shares lead artist and choreographer Wendy Jehlen, “performed by members of the Deaf movement performers living in Boston, Somerville, Cambridge, New Hampshire, New York and Rhode Island. Participants have been meeting since last summer and is part of the development of a new Deaf dance theater called Show of Hands Theater Company, taking advantage of elements of Deaf culture to create a new way of communicating in movement.”

“We are placing the Deaf experience at center,” Jehlen continues, “rather than pulling them into our arbitrary center. In the Deaf community, we talk about ‘Deaf gain’ rather than ‘Hearing impairment.’ This concept recognizes the benefits of Deaf culture-- including facility with visual communication, facial expression, and most importantly a sense of community and interdependence - in the creation of the performance work. This multi-centered approach to performance and community is the deeper mission of ANIKAYA Dance Theater. ANIKAYA’s mission is to break down the perceived boundaries between people, cultures, and art forms. ANIKAYA weaves together music, dance, and storytelling to create works that pull from the full range of the body's communicative capabilities. ANIKAYA also has an intrinsic commitment to collaborating with Deaf performers, and incorporating aspects of Deaf culture and American Sign Language Poetry into performances. Our focus on placing the marginalized at the center results in cross-cultural works of visual theater that are accessible at an integral level to both Deaf and hearing audiences.”
 

Wendy Jehlen; provided by the artist.

About Creative City Grantee Wendy Jehlen
Wendy Jehlen is the artistic director and founder of ANIKAYA Dance Theater. Her career has been marked by international explorations, study and creative collaboration. Her unique approach to choreography incorporates elements of Bharata Natyam, Odissi, Capoeira, Kalaripayattu, West African dance, Butoh, and a wide-range of contemporary movement forms. Her emotionally powerful choreography has been created and performed in the U.S., Canada, Italy, India, Japan, Korea, Brazil, Burkina Faso, Mali and Turkey. She earned her Bachelors in Ritual and Performance from Brown University and her Master of Theological Studies in World Religions from Harvard Divinity School. Her works include Entangling (2015), a duet with Burkinabe choreographer Lacina Coulibaly inspired by Quantum Entanglement; The Deep (2015), a work for 25 dancers created in São Paulo, Brazil; Lilith (2013), a solo on the first woman; The Knocking Within (2012), an evening-length duet on a disintegrating relationship; Forest (2010), a journey through the archetypal forest; He Who Burns (2006), a trio on the figure of Iblis (Satan); Breathing Space (2003), a collaboration with Japanese choreographer Hikari Baba in Tokyo; Crane (2002), based on images from Japanese Buddhist poetry; and Haaaa (2002), inspired by the experience of childbirth. https://anikaya.org/

About Community Partner Show of Hands Theater Company
Show of Hands Theater Company (SOHTC) is Boston's unique Deaf grassroots community theatre company, and we are known for our commitment to nurturing the true 'Deaf theatre' concept.

Stay Connected

Receive the latest news, grant offerings, and community events.

Sign up