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“As a prologue, it was playful, strange, militaristic, cool — an apt setup for a dance that showcases a bit of everything: from graceful, gliding swoops to one-armed balances that pull hip-hop back to tap. Ms. Portner, beguiling as she contorts her frame into odd angles, balances on her toes and pirouettes. Throughout, Ms. Dorrance, a brilliant conductor, pushes the boundaries of tap while exposing its true nature: that it is music. She juxtaposes quick duets and then, in fast gusts, pulls all of her instruments — the dancers — together in rows, bringing the stage to life with unison footwork." New York Times
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