National Theater Project

The National Theater Project (NTP) supports the creation and touring of U.S. based, devised ensemble theater projects through direct funding and a cultivation of an informed, interactive network of ensembles, artists, and presenters throughout the field

National Theater Project-funded Jaronzie Harris | photo by Rosa Caban

PLEASE NOTE: The final NTP Creation & Touring Grant cycle in its current form opened September 6, 2024. The deadline for the preliminary application will be October 10, 2024 at 11:59pm EST. To learn more, please read a letter to the field from NEFA’s Executive Director, Harold Steward.

Background

In 2009, supported by the Mellon Foundation (AWMF), NEFA conducted a study which identified unrealized potential for theater projects that expand the boundaries of theater in the U.S. Multi-disciplinary presenters, theaters, and audiences nationwide demonstrated an appetite for artist-led, ensemble, and devised theater work.

Beginning in 2010, with support from AWMF, NEFA’s 2-year National Theater Pilot tested questions and assumptions about theater development and touring in the U.S. toward the shaping of a fully-realized program of grants and services. Through the Pilot, NEFA and a core group of Advisors identified 12 projects (six selected in each of two years) to help evaluate the National Dance Project model as one means of realizing that potential.

Central goals for the Pilot were to support developing productions to tour and to support presenters, ensembles, and producing theaters to take the work to different regions and audiences. Further research and evaluation of the Pilot at various stages assessed how to best support this developing field.

In 2012, again with the support of AWMF, NEFA launched the National Theater Project to build on the knowledge gained through the Pilot phase and provide a critical means of support of artist-led, ensemble, and devised theater work.

Program Goals

Modeled on NEFA’s National Dance Project, NTP not only provides funding but also animates an informed, interactive network of producing theaters, presenters, and ensembles that promote the funded projects and the development of the field as a whole. Projects are supported through Creation & Touring Grants, which fund creation and preparation for touring of devised projects and Presentation Grants, which are awarded to presenters by the artist and support up to 50% of the artistic fee for NTP projects.

NTP supports work that reflects the evolving environment for theater, including but not limited to projects that:

  • Support the creation/development and U.S.* touring of new artist-led devised, ensemble theater works that demonstrate excellence in the artists’ practice. NTP uses the following definitions in consideration of grant applications:
    • Ensemble: A group of two or more people committed to working together over time to develop a distinct practice and body of work.
    • Devised: A process of co-creation and joint discovery that prioritizes generative artists, which may include but does not prioritize playwrights, is iterative, and results in original work.
  • Support work that contributes to the cultural and aesthetic diversities of today’s theater. NEFA values an equitable, diverse, and inclusive world, which we interpret as all people having fair access to the tools and resources they need to realize creative and community endeavors. We acknowledge structural inequities that have excluded individuals and communities from opportunity based on race, gender, disability, sexual orientation, class, age, language, culture, nation of origin, and geography, and strive to counter those inequities in our work.
  • Reflect meaningful partnerships with presenters, producers, and other organizations that are involved in the development, promotion, and/or touring of the new work.
  • Offer the potential to deepen engagement because of the work’s relevance, originality, and/or timeliness.
  • Produce a viable plan for touring the supported work in multiple communities in the U.S. and its territories*.

*NEFA defines U.S. as all 50 of the United States, Washington, D.C., as well as Puerto Rico, Guam, Northern Mariana Islands, the U.S. Virgin Islands, and American Samoa.

Advisors

The National Theater Project advisors provide critical guidance to applicants in proposal preparation and tour development. They also guide project selection and serve as consultants and ambassadors for the program. Advisors represent presenters, producing theaters, festivals, and theater artists. Selection of advisors takes into account geography, gender, areas of expertise, cultural and racial equity, and includes new and established leaders in the field. Learn more about how to become a program advisor.

Claudia laughs while sitting back in a rollator, their right hand holding a cane and their left leg kicked out casually. They wear a beanie hat, red braids, bike gloves layered over arthritis gloves, a rainbow striped dress, rainbow heart leggings, and sneakers. Claudia is in an outdoor courtyard with a paved walkway, tropical foliage, and overhead shade sail covers.

Claudia Alick

(claw-dee-aw a-lick)
She/Her, They/Them
A woman from below shoulders up, with long dark curly hair, olive skin, red lips, brown eyes wearing a turquiose shirt.

Tracy Cameron Francis

(tray-see cam e-ron fran-sis)
She/Her/Hers
Leslie Ishii is a brown person with shoulder-length black hair. She is wearing a black/dark mock turtle-neck knit sweater and black pants. She is wearing silver earrings and silver chain/necklaces. She is smiling and is upbeat!

Leslie Ishii

(Les-lee Ee-shee-ee)
She/Her/Hers
An image of Meena, a South Asian and East Asian woman, with black wavy shoulder-length hair, wearing gold earrings, gold necklace and a v-neck floral pink dress. The yellow and green background is blurred.

Meena Malik

(mee-na)
She/Her/Hers
Vijay is a brown man. He is in studio lighting, a white space, and wears all black.

Vijay Mathew

(Vih-jey)
He/Him/His
Very long, blue-black hair, light brown skin, red lipstick wearing a red blouse in front of a blurred outdoor background.

Tara Moses

(tear-uh mo-sis)
She/Her/Hers
A Black women of medium complexion with short natural hair of mixed grey. Wearing a red scarf.

Linda Parris-Bailey

(lin-DAH)
She/Her/Hers
Steve sits in an empty audience.

Steven Raider-Ginsburg

He/Him/His
Bronze bald man with a smirk wearing a blue and white keffiyeh aka hatta.

Ova Saopeng

(Oh-vah Sow-pang)
He/Him/His
DeLanna is an Indigenous woman with long brown hair and black eyes. She is wearing a black shirt with short sleeves. She stand in front of a charcoal grey background.

DeLanna Studi

(dəˈlā/nə st(y)üd-ē)
She/Her/Hers
A diptych featuring two portraits. On the left, the drag persona of the same person on the right. The drag persona has bold makeup, gold wire frames, an African headwrap. The person on the right wears large black-framed glasses, a tan hat, and golden hoop earrings.

Beatrice L. Thomas aka Black Benatar

(BEE-uh-triss El TAH-muhs aka Black BEN-uh-tar)
She/Her, They/Them

Funders

The National Theater Project is made possible with lead funding from the Mellon Foundation and additional support from the Doris Duke Foundation.

Mellon Foundation logo; a black free-form "m" next to the text Mellon Foundation in black letters
logo in black stacked text for the Doris Duke Foundation

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